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Baroque Pop roundup

The Best Baroque Pop Songs Right Now

The genre's essential recordings are spread across singles, album tracks and overlooked deep cuts. Here is a guide to the recordings that define the style.

The Best Baroque Pop Songs Right Now

The essential recordings in the baroque pop canon span a narrow window of time but cover a surprising range of approaches — harpsichord-driven singles, orchestral album tracks, and pop songs built on Bach counterpoint. This guide covers the tracks that best represent the style, from the most famous to the most overlooked.

The Definitive Singles

Three singles stand above the rest. "A Whiter Shade of Pale" by Procol Harum (1967) is built on a Bach cantata and is the baroque pop recording most widely known outside the genre's dedicated audience. "Walk Away Renée" by The Left Banke (1966) places harpsichord at the centre of a pop melody — it is the most overtly baroque recording in the genre. "Time of the Season" by The Zombies (1968) arrived too late for the original movement but captures its essence completely: organ counterpoint, vocal harmonies, an undeniable pop structure.

From Albums: Essential Tracks

"God Only Knows" from Pet Sounds (1966) is the single most praised baroque pop recording — Paul McCartney has called it the greatest pop song ever written. "Eleanor Rigby" by The Beatles (1966) uses a string octet arranged by George Martin with no other accompaniment. "For No One" from "Revolver" (1966) uses a French horn obbligato over a harpsichord. "She's Not There" by The Zombies predates the genre's naming but is a key baroque pop recording. Each of these recordings illustrates a different aspect of what the style could do.

The Hidden Recordings

Beyond the canonical tracks, several recordings are worth seeking out. "Pretty Ballerina" by The Left Banke (1967) improves on "Walk Away Renée" in compositional complexity. "Hung Upside Down" by Buffalo Springfield uses baroque counterpoint within a rock arrangement. Scott Walker's "Jackie" and "The Sun Ain't Gonna Shine Anymore" (Walker Brothers) show the orchestrated pop approach in its most commercially successful form. For the albums these tracks come from, see our albums guide. For the artists, see our artists guide.

Frequently Asked Questions

What is the best starting track for new listeners?

'God Only Knows' by The Beach Boys is the most universally recommended first track. 'A Whiter Shade of Pale' by Procol Harum is a close second and slightly more immediately striking. For listeners who want the most overtly baroque sound, 'Walk Away Renée' by The Left Banke is the clearest introduction to the harpsichord-centred approach.

Are the Beatles part of this genre?

On specific recordings, yes. 'Eleanor Rigby', 'For No One', 'She's Leaving Home' and 'Yesterday' are all classic examples of the approach. The band's wider catalogue spans far more than this style, but their recordings in this style are among the most important in the genre.

Is 'Time of the Season' the best Zombies track?

It is the best-known Zombies track and is unquestionably a great recording. Among listeners who know the full Odessey and Oracle album, 'Care of Cell 44', 'This Will Be Our Year' and 'Changes' are often preferred. The album is more rewarding than any single track from it.

What is the most underrated recording in the era?

Scott Walker's 'Jackie' (1967) is frequently cited as underappreciated. 'Pretty Ballerina' by The Left Banke is a more sophisticated recording than 'Walk Away Renée' and is less well known. 'Hung Upside Down' by Buffalo Springfield is a deep cut that shows the style's reach into American rock.

Are there good tracks from the later revival?

Sufjan Stevens' 'Chicago' and 'The Predatory Wasp of the Palisades' use orchestral elements in ways that reference the original approach. Arcade Fire's 'Wake Up' and 'Crown of Love' are closely related. Andrew Bird's work is consistently within the tradition. The Divine Comedy's 'Songs of Love' is a UK example.

What should I listen to if I want more after these?

Follow any of the artists mentioned into their wider catalogue. The Left Banke's full discography is short and worth hearing in full. The Scott Walker solo albums are an extended exploration of the orchestral approach. Nick Drake's first two albums are adjacent to the tradition and equally rewarding.

About Sarah Collins

Sarah came up through Nottingham's rock and indie scene, working the door and the merch stall before she ever wrote a word about it. That view from behind the scenes taught her how the machinery of live music really works. She writes about bands, live music and the culture around it.

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