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Shure Sm57 roundup

Shure Sm57: A Complete Buyer's Guide

One of the safest gear purchases in audio — here's what to check before buying a Shure SM57, from bundles to what else you'll need.

Shure Sm57: A Complete Buyer's Guide

Right, so you've decided to get a Shure SM57. Good shout — it's genuinely one of the safest gear purchases in all of audio, and has been for decades. But "just buy an SM57" isn't quite the whole story, because there's a real decision to make around what comes with it and what you're actually going to point it at. Let's get properly nerdy about it.

First: what's it actually for, in your setup?

This matters more than any spec sheet. The SM57 is a cardioid dynamic microphone — "dynamic" meaning it uses a simple moving-coil design rather than a powered condenser capsule, and "cardioid" meaning it picks up mostly from the front. That combination makes it brilliant at close-miking loud things: guitar amps, snares, toms, brass. It's a poor choice if you actually need a detailed, airy vocal or acoustic-guitar capture — that's a condenser's job, not this mic's.

So before you buy, be honest about what's going through your interface most often. If it's guitar amps and drums, this is close to a perfect first purchase. If it's mainly solo vocals or acoustic guitar, you might want a condenser first and an SM57 second.

Package variations to know about

  • SM57 (standard): the mic itself — check exactly what's included, since cable is sometimes sold separately depending on the package and retailer.
  • SM57-LC: a common designation for the microphone-only package in some markets, without a bundled cable.
  • Bundles: some retailers pair it with an XLR cable, a mic clip and sometimes a basic stand or windscreen — handy if you don't already own cables.

Always check the actual contents listed on the specific product page you're buying from, since this varies by region and seller.

What actually matters when you're comparing listings

CheckWhy
Included accessoriesCable, clip and case aren't always included — factor this into the real cost
New vs usedA used SM57 in working condition is usually a safe buy given how rugged the design is, but test it before paying
Authorized sellerBuying from an authorised dealer protects your warranty on a genuine unit
Windscreen (A2WS)Worth adding separately if you'll ever use it on vocals or outdoors

Do you need anything else to actually use it?

Yes, and this is the bit people forget. You'll need:

  • An XLR cable, if one isn't bundled.
  • An audio interface or mixer with a mic preamp — the SM57 has relatively low output, so a preamp with decent clean gain on tap matters more here than with a hotter condenser mic.
  • A mic stand or clip, for anything other than handheld use.

No phantom power is required, since it's a passive dynamic design — one less cable, one less thing that can go wrong.

Buying a used Shure SM57

Because the design has barely changed since 1965, buying second-hand carries less risk here than with almost any other piece of studio gear. There's no ageing capacitor capsule to worry about, and a passive dynamic design has very little to actually fail. Still, give any used Shure SM57 a proper test before handing over cash:

  • Plug it in and check both channels of a stereo cable path if you're buying a pair, listening for crackle or dropouts as you wiggle the connector.
  • Look at the grille for dents that might be pressing into the internal windscreen.
  • Tap it gently (not hard) while monitoring to confirm the capsule responds evenly.

A clean used unit at a genuine discount is one of the better bargains in used gear, precisely because there's so little to go wrong.

Should you buy one or a pair?

If you're planning serious drum recording, two is genuinely useful — one on the snare and a second on a tom or as part of a guitar-amp setup during the same session, since it's cheap enough to duplicate without a second mortgage. For a single home setup focused on guitar amps, one is plenty to start with.

Comparing it with the alternatives

It's worth knowing where the Shure SM57 sits relative to close relatives before you commit. The Shure SM58 shares the same core capsule but swaps the grille for one built around handheld vocal use, so it's the better buy if singing into it is the main job. The Beta 57A is a supercardioid stablemate with a tighter pattern and a different tonal character — a genuine alternative rather than a straight upgrade, and worth comparing directly if budget allows. For the fuller comparison across price points, have a look at our guide to the best SM57 setups for the money.

Bottom line

If your recording involves anything loud — amps, drums, brass — a Shure SM57 is about as close to a no-brainer purchase as this hobby gets. Just buy the right package for what you already own, budget for a cable and stand if they're not included, and you'll have a mic that'll outlast most of the rest of your setup. New to all this? Our beginner's guide is a gentler starting point, and our full explainer covers the technical side in more depth.

Frequently Asked Questions

Does the SM57 come with a cable?

Not always — some packages, including the SM57-LC designation used in certain markets, are microphone-only, so always check the exact contents listed on the product page you're buying from.

What else do I need to use it?

An XLR cable if one isn't included, an audio interface or mixer with a clean mic preamp, and a stand or clip for anything other than handheld use.

Is it worth buying used?

Often yes. The design has barely changed since 1965 and has very little that can fail, so a tested used unit at a discount is usually a safe buy.

Should I buy the SM57 or the SM58 for my setup?

Choose the SM58 if singing into it by hand is the main job, since it has integrated pop protection; choose the SM57 for guitar amps, drums and other instrument sources.

Do I need more than one?

One is plenty for a single guitar-amp or home setup, but two is genuinely useful for drum recording, since it's affordable enough to duplicate without a big outlay.

Is a mic preamp necessary?

Yes, a decent one. The output level of a Shure SM57 is relatively low compared with many condenser microphones, so a preamp with sufficient clean gain matters more here than with hotter mics.

About Daniel Cooper

Daniel grew up in Sheffield, a city with electronic music in its bones, and spent his teens making beats on a battered laptop long before he could afford a proper studio. He's obsessed with synths, samplers and the endless tinkering of production. He writes about music software, hardware and getting good results without spending a fortune.

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