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Common Esp Guitars Mistakes to Avoid

None of these mistakes are stupid, they're just easy to make when you're excited about a new guitar. Here's how to avoid all nine.

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Common Esp Guitars Mistakes to Avoid

I've had this conversation about ESP guitars more times than I can count, usually with someone who's just spent real money and is only now discovering the thing nobody mentioned in the shop. None of these mistakes are stupid — they're just easy to make when you're excited about a new guitar — but every one is avoidable once someone actually tells you about it.

Buying Purely Because a Hero Plays One

There's nothing wrong with loving what your favourite player uses, but a signature model is built around their hands, their tuning and their playing style, not automatically yours. Play it before you buy it, the same as you would any other guitar, rather than assuming the association alone guarantees it'll suit you.

Assuming Pricier Always Sounds Better, Through Any Amp

A gorgeous, expensive instrument plugged into a cheap, poorly set amp can sound worse than a modest guitar through gear that actually suits it. Tone is a chain, and the guitar is only one link. Before you stretch your budget on the guitar alone, make sure the rest of your signal chain isn't quietly holding you back.

Choosing ESP Guitars With a Floyd Rose Without Knowing What You're Signing Up For

Locking tremolos are wonderful for dive bombs and expressive vibrato, genuinely they are, but they come with real commitments: slower string changes, more involved tuning after any adjustment, and a setup routine that takes a bit of learning. If you don't actually want vibrato effects, a fixed bridge will make your life considerably simpler, and it isn't a lesser choice.

Fighting Very Low Tunings With the Wrong Scale

Dropping to B standard or lower on a short-scale guitar with oversized strings alone often just feels floppy and unfocused, however thick the strings are. A longer baritone scale, around 27 inches, keeps proper tension at those pitches, which matters for both feel and pitch stability. Match the scale to the tuning you actually intend to play in, not the other way round.

Mixing Up “Active” With “Clear”

Active pickups give you high output and low noise, and that's genuinely valuable for heavy rhythm work, but it isn't automatically the same thing as clarity. A well-chosen passive pickup, or the amp and settings behind either type, has just as much say in how clear or muddy your tone actually is.

Treating Every LTD 1000 Series Among ESP Guitars as Identical

The 1000 Series covers a genuinely wide spread of models, and specifications, pickups and even neck construction vary between them. Don't assume that because one 1000 Series guitar was reviewed well, every model in that range shares the exact same feel and electronics. Check the actual specification of the model you're looking at, every time.

Ignoring Weight and Neck Profile Until It's Too Late

A guitar can look perfect in photos and still feel wrong across your shoulder after an hour, or awkward under your fretting hand within the first five minutes. Mahogany-bodied and neck-through instruments in particular can be genuinely heavy. Always sit and play for a proper stretch before you commit, not just a quick strum across the counter.

Treating Country of Manufacture as the Whole Story

Japanese manufacture generally signals a certain consistency and standard across ESP guitars, but it isn't the only measure of whether a specific guitar is right for you. A well-specified LTD can outplay a Japanese model with the wrong neck profile or pickup voicing for your style. Judge the instrument in front of you, not just the passport stamp on the badge.

Skipping the Inspection on a New or Used Instrument

Fret ends, nut work, neck relief and intonation all deserve a proper look before money changes hands, whether the guitar is brand new or secondhand. A factory guitar can still leave the line with a setup issue, and a used one may have been neglected for years. A few minutes of inspection now saves a much bigger headache later.

MistakeWhat to do instead
Buying on artist association alonePlay it yourself before deciding
Ignoring the rest of your signal chainCheck your amp and settings too
Choosing a Floyd Rose without researchUnderstand the setup commitment first
Wrong scale for low tuningsMatch scale length to your intended tuning
Skipping a proper inspectionCheck frets, nut, relief and intonation

Avoiding These Going Forward

Every one of these mistakes is easy to sidestep once you know to look for it. If you want the full picture before you shop, our explainer covers how the range fits together, and our buyer's guide walks through exactly what to check before you pay. New to all this? Start with our beginner's guide instead, and if you're weighing up which model actually suits you, take a look at our round-up by use case.

Avoid these nine, and whichever of these ESP guitars you end up with, you'll be making the decision on its actual merits rather than its reputation.

Frequently Asked Questions

Is it a mistake to buy ESP guitars because a favourite artist plays one?

Not automatically, but a signature model is built around that player's hands and style. Play it yourself before deciding it suits you too.

Does a more expensive guitar always sound better?

Not through a weak amp or poor settings. Tone is a chain, and the guitar is only one link in it.

Should beginners avoid a Floyd Rose?

Not necessarily, but understand the commitment first: slower string changes and a setup routine that takes a bit of learning compared with a fixed bridge.

What scale length suits very low tunings?

A longer baritone scale, around 27 inches, which keeps proper string tension at low pitches rather than relying on oversized strings alone.

Are all LTD 1000 Series models the same?

No. Specifications, pickups and neck construction vary between models, so check the actual specification of the guitar in front of you.

What should I check before buying a used instrument?

Fret ends, nut work, neck relief and intonation, since a used guitar may have been neglected and a factory guitar can still leave the line with a setup issue.

About Charlotte Bennett

Charlotte grew up in a house where the record player was never off, and turned a teenage habit of scribbling gig reviews into a career spent writing about the music she loves. Based in London, she still spends her weekends digging through the crates in the city's second-hand shops and catching new bands in small rooms before anyone else has heard of them. She writes about guitars, records and the stories behind the songs.

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