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Double Bass: A Complete Buyer's Guide

Buying a double bass is about size, setup and bow as much as the instrument itself — here is what to evaluate at every budget level.

Double Bass: A Complete Buyer's Guide

Buying a double bass requires attention to size, setup, bow and strings. The instrument is large and the range of options wide — from student outfits under £500 to hand-crafted instruments at £20,000 and above. This guide covers what to evaluate at each budget level.

Sizes

Most adult players buy a 3/4 size, which is the effective standard for the instrument. Full size (4/4) exists but is physically demanding and rarely used outside specialist contexts. Smaller players and younger students sometimes use 1/2 or 5/8. Always confirm the size before buying — a 3/4 label from different makers can vary in actual body length. Try the instrument standing to confirm the nut reaches a comfortable position relative to your left shoulder.

Budget Tiers

Under £500: student outfits are adequate for testing the instrument. Build quality is variable; setup is often poor from the factory. Request a luthier setup before playing. £500–£1,500: the practical range for a genuinely playable student or early-intermediate instrument. Brands like Stentor, Eastman and Upton Hybrid offer solid options here. £1,500–£5,000: where tone and responsiveness improve significantly; carved tops become available in this range. Above £5,000: professional and hand-made instruments for serious study and performance.

New vs Secondhand

Used instruments at the £800–£2,000 level from a specialist dealer often outperform new instruments at the same price if they have been set up properly. Older carved-top instruments can be exceptional at relatively modest prices secondhand. Before buying used, have any instrument inspected by a luthier: check for open seams, repaired cracks, and bridge and soundpost condition. A well-maintained older instrument can be an excellent choice.

Setup Is Critical

A luthier setup — correct bridge height, nut action and soundpost position — transforms an instrument's playability. A student model with a professional setup outperforms a more expensive instrument left in factory condition. Budget £100–£150 for a setup when buying new. For jazz playing, a slightly lower action than the classical standard makes pizzicato easier and more comfortable over long periods.

Bow

A good bow dramatically affects tone and control. Carbon fibre bows (CodaBow, JonPaul, Arcus) in the £150–£300 range offer excellent response and durability. Pernambuco is the classical standard but expensive; Brazilwood is a reasonable intermediate option. German and French bow models differ in balance and grip — choose the style your teacher uses. A cheap bow that is poorly balanced reduces your ability to develop technique, so prioritise the bow as highly as the instrument itself.

For a full overview of the instrument, see the features guide. For beginners starting out, the beginner's guide covers first steps.

The Bottom Line

Buy the best instrument you can afford, have it set up by a luthier before playing, and spend as much on the bow as the budget allows. A properly set-up instrument in the £500–£1,000 range is a sound foundation for years of development.

Frequently Asked Questions

How much should I spend on my first double bass?

£500–£800 is the practical minimum for a genuinely playable student instrument with a professional setup. Under £400, student outfits exist but build quality and factory setups are often poor enough to hinder learning. Spending £700–£1,000 on a well-set-up instrument at the start avoids having to upgrade within a year.

Should I buy a double bass online or from a specialist shop?

A specialist string instrument shop or a reputable online dealer who sets up instruments before shipping is strongly preferred. The instrument's size makes setup critical — action and string height dramatically affect playability. A general music shop with no specialist string staff is a poor choice; use one only if no better option is within reach.

What strings should I use on a double bass?

For orchestral and classical playing: Thomastik Spirocore, Pirastro Obligato or Evah Pirazzi are popular choices — warm, responsive, suited to bowing. For jazz and pizzicato-heavy playing: Thomastik Spirocore Weich, D'Addario Helicore Pizzicato, or Innovation strings are commonly used. Gut strings are used by some classical players for a warmer tone but require more maintenance and are sensitive to humidity.

Is a laminate or carved top better for a student double bass?

For most students, a laminate (plywood) top is a practical and sensible choice. Laminate tops are more stable in changing humidity and temperature, more durable, and significantly cheaper than carved tops. A well-set-up laminate student instrument outperforms a carved instrument in poor condition. Carved tops become worth considering when a player reaches intermediate or advanced level.

What is a hybrid double bass?

A hybrid instrument has a carved solid wood top (spruce) with laminate back and sides. This gives most of the tonal benefits of a carved top at lower cost, with the stability of laminate sides and back. Hybrid models from makers like Upton, Engelhardt and Eastman are popular choices in the £1,000–£3,000 range for serious students who want a step up from a full laminate instrument.

Do I need a specific bow for orchestral vs jazz playing?

The bow choice matters most in terms of grip style — German (underhand) or French (overhand). Most orchestral players choose one style and stick with it; jazz players also tend to use whatever grip their teacher uses. The bow itself (German or French model) is different in balance and frog shape. If you are unsure, discuss with your teacher before buying — switching bow styles later is time-consuming.

About Caroline James

Caroline grew up near Worcester, a city steeped in the choral tradition of the Three Choirs Festival and the memory of Elgar, and that heritage gave her a lasting love of English classical music. She writes about classical, choral music and its history.

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