Skip to content

Black Metal article

A Beginner's Guide to Black Metal

Corpse paint, blast beats and a genuinely tangled history: here's what actually defines black metal, and how it splintered into everything it is today.

A Beginner's Guide to Black Metal

It's the most divisive corner of extreme metal, and probably the most misunderstood too. Corpse paint, blast beats, deliberately harsh recording, a history genuinely tangled up with crime and controversy — there's a lot to unpack before the music itself even gets a fair hearing. So let's actually unpack it: what defines the sound, where it came from, and how it splintered into everything it is today.

What Actually Defines the Sound

There's no single fixed formula, but most examples share a recognisable set of ingredients: tremolo picking (rapid, continuous, alternating guitar strokes held over sustained chords), blast beats (relentless, high-speed bass-drum and snare patterns), and high, rasped or shrieked vocals rather than death metal's low growl. Add deliberately thin, harsh production, minor-key or dissonant chord movement, and an emphasis on atmosphere over technical flash, and you've got the core template most listeners mean when they say black metal.

Where the Name Came From

The name is almost a happy accident. English band Venom released an album titled Black Metal in 1982, and while their own sound sat closer to speed and thrash metal, the record supplied the genre's name and a good deal of its early occult imagery. It would take another decade, and a different country entirely, for a sound actually matching the name black metal to emerge.

The First Wave

Through the 1980s, bands including Sweden's Bathory, Switzerland's Hellhammer and Celtic Frost, and Denmark's Mercyful Fate built the raw attitude, satanic imagery and primitive production the genre would inherit. Bathory's 1987 album Under the Sign of the Black Mark is often singled out as the crucial bridge towards what followed — genuinely important, even if none of these bands sound quite like the "classic" template yet.

The Second Wave: Norway, Early 1990s

This is where the recognisable sound actually got built. A tight scene of Norwegian musicians, including Mayhem, Darkthrone, Burzum, Emperor and Immortal, consolidated tremolo-picked riffs, blast beats, shrieked vocals and deliberately abrasive production into something coherent, wrapped in corpse paint and black clothing. It's also, unavoidably, part of the genre's history that this scene became notorious for church arsons and, in 1993, the murder of Mayhem's Euronymous by Burzum's Varg Vikernes — real events that shaped early media coverage enormously, though they say nothing about the vast majority of musicians and fans who had no part in them.

How It Splintered

From the late 1990s onward, black metal stopped being one thing.

  • Symphonic records added orchestral or keyboard layers, pioneered by Emperor and popularised further by Dimmu Borgir.
  • Atmospheric records slowed everything down into long, spacious, mood-driven structures.
  • Depressive records leaned into bleak repetition over conventional songwriting.
  • Post-black records, most famously Deafheaven's Sunbather, folded in post-rock and shoegaze dynamics for an entirely new audience.
  • Pagan and Viking metal, via bands like Enslaved, swapped satanic themes for Nordic folklore.

Our full subgenre breakdown goes into each of these branches properly, with a reference band for every one.

Key Names Worth Knowing

Beyond the bands already mentioned, this is a genre that rewards knowing a handful of names: Wolves in the Throne Room for the American atmospheric strand, Watain for the genre's more ceremonial, occult-leaning corner, and countless regional scenes across France, Poland and Finland that took the Norwegian template somewhere entirely their own. Our guide to the genre's essential artists profiles the full cast properly, and our list of essential albums gives you an actual, ordered listening path.

Listening to It for the First Time

Raw production isn't a fault — on records like Darkthrone's Transilvanian Hunger, the harshness is entirely deliberate, an artistic statement rather than a technical limitation. Give it a proper, patient listen rather than judging it against a cleanly produced rock record, and separate the music's genuine influence from the documented crimes and extremist views tied to a small number of individuals in its early history; both things are true at once, and neither cancels the other out. If you'd like a gentler, step-by-step route into all this, our guide for newcomers lays one out.

The Bottom Line

Strip away the corpse paint and the scene's genuinely dark history, and what's left is a musical idea that's proven remarkably flexible: tremolo picking, blast beats and shrieked vocals, filtered through Norwegian austerity, orchestral ambition, hypnotic repetition or shoegaze warmth, depending on who's holding the guitar. That's black metal's whole story in miniature — and there's a lot more to hear once you know what you're actually listening for.

Frequently Asked Questions

What defines the sound?

Tremolo-picked guitar, blast-beat drumming, high shrieked or rasped vocals rather than a death-metal growl, deliberately harsh production and an emphasis on atmosphere over technical flash.

Where does the name come from?

Venom's 1982 album Black Metal, even though Venom's own sound was closer to speed and thrash metal. It took another decade for a matching sound to actually emerge in Norway.

What was the Norwegian second wave?

A tight scene of early-1990s musicians, including Mayhem, Darkthrone, Burzum, Emperor and Immortal, who consolidated the tremolo-picked, blast-beat template most listeners recognise today.

Is the genre's dark history part of the music?

The church arsons and the 1993 murder of Mayhem's Euronymous by Burzum's Varg Vikernes are documented historical events, but they don't represent the vast majority of musicians and fans.

What are the main subgenres?

Symphonic, atmospheric, depressive, post-black and pagan or Viking metal are the main branches, each taking a different part of the original template in a new direction.

Is raw, lo-fi production a mistake?

No. On records like Darkthrone's Transilvanian Hunger, harsh, minimal production is a deliberate artistic choice rather than a technical failing.

About Emma Wilson

Emma cut her teeth in Manchester's live scene, spending more nights than she can count in the sweaty back rooms of the Northern Quarter watching bands that were one gig away from breaking through. Two decades on, she still believes the best music writing starts on the floor of a venue, not behind a desk. She covers indie, guitar bands and the culture around them.

Comments

Leave a comment

Comments are read before they appear. Links cannot be published.

Your rating (optional)