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Artist Management article

Artist Management: What You Need to Know

A manager is not a booking agent or a publicist — this explains what good management actually involves, how to find it, and what a fair deal looks like.

Artist Management: What You Need to Know

Artist management is the professional relationship between a musician or band and the person responsible for overseeing the business side of their career. A manager is not a booking agent, a record label A&R or a publicist — though good artist management co-ordinates all of those relationships. The manager's role is to handle the bigger picture: strategy, deal negotiations, income management, and the day-to-day decisions that would otherwise fall to the artist at the expense of the work itself.

In practice, what artist management looks like depends entirely on the stage of an artist's career. For a band playing small venues, management might mean someone handling their inbox and negotiating a merchandise deal. For an established touring act, it means a team of people managing a schedule worth hundreds of thousands of pounds, overseeing multiple income streams, and representing the artist in major contract negotiations.

What a Manager Actually Does

The core responsibilities of artist management include: negotiating live performance fees and tour deals, overseeing recording contracts and publishing agreements, co-ordinating press and promotional campaigns, managing the relationship with the booking agent and record label, handling financial oversight (including royalty collection and accounting), and advising on creative decisions that have commercial consequences.

A manager's value is largely invisible when things are going well. They are the person in the room making sure the artist's interests are represented, that contracts are fair, and that short-term opportunities do not compromise long-term goals. The manager earns a commission — typically 15 to 20 per cent of gross income — which aligns their financial interest with the artist's success.

Finding the Right Manager

Most managers at the grassroots level come from within an artist's existing network — a friend who has shown a talent for logistics, a promoter who has been helping with bookings, or someone who saw the band early and genuinely believed in them. At higher levels, managers are approached through agents, labels, or industry contacts. For emerging artists, the most important quality in a manager is genuine belief in the music — commission structure matters less than having someone who will make calls on your behalf because they care about the outcome.

Management Agreements

A formal management agreement sets out the commission rate, the term (typically one to three years), the territory covered, and what happens to deals initiated during the management term if the relationship ends (the "sunset clause"). Artists should have any management agreement reviewed by a specialist music industry solicitor before signing. The Music Managers Forum (MMF) publishes guidelines on fair management deal terms and maintains a list of vetted professionals. For an in-depth look at the structures involved, our complete guide to artist management covers the contractual landscape in detail.

Self-Management and DIY Approaches

Many independent artists manage themselves, at least in the early stages. Self-management is viable while an artist's touring commitments and income streams are limited enough to be managed personally. The risk is that artist management, done well, is a full-time job — and attempting to do it while also writing, recording and touring takes a toll. The point at which an artist needs professional help is usually when the administrative overhead begins noticeably affecting the creative work.

Frequently Asked Questions

How much commission does a manager take?

The standard manager's commission is 15 to 20 per cent of the artist's gross income from activities the manager is involved in. Some managers take a lower percentage (10 to 15 per cent) for younger artists or in agreements where the manager's responsibilities are more limited. Commission is typically on gross income (before deductions), which means the artist should understand exactly what income streams are included before signing. A specialist music solicitor can advise on what is standard for the level of career you are at.

Do I need a manager before I have a record deal?

You do not need a record deal to need a manager — and for many artists, a manager is exactly what helps them attract label interest in the first place. A manager with industry relationships can get your music to the right people, help you develop a live following, and position you for a deal when the time is right. The practical question is whether you have enough going on that you genuinely need someone overseeing it all, or whether self-management is still workable.

What is a sunset clause in a management contract?

A sunset clause governs what commission a manager receives on deals signed during their management term, after the management relationship ends. Without a clause, a manager could theoretically receive commission on a major album deal for years after leaving. A sunset clause typically reduces the commission rate over a defined period — for example, 20 per cent in year one after termination, declining to zero after three years. This is a standard and reasonable provision; its absence from a management agreement should prompt discussion.

Can I manage myself as an independent artist?

Yes — and many independent artists do, at least at the beginning. Self-management works well when your touring and income streams are small enough to handle personally, and when the music is still being developed. The practical limit is time: as bookings, press requests, label conversations and financial administration accumulate, managing yourself takes progressively more time away from making music. Most artists reach a tipping point where either their career stalls for lack of management, or they find someone to take that work on.

What is the difference between a manager and a booking agent?

A booking agent sources and negotiates live performance engagements — venues, festivals, tours. A manager oversees the broader career strategy and co-ordinates all the professionals around the artist, including the booking agent. The manager works on a retainer basis (commission on total income); the booking agent typically takes a commission (10 to 15 per cent) only on the live fees they arrange. For early-career artists, one person often covers both functions informally, but as touring grows they are typically separate roles.

Where can I find a reputable music manager?

The Music Managers Forum (MMF) maintains a membership directory of professional managers and publishes guidelines on fair practice. The Featured Artists Coalition and Music Week industry events are also places where managers are accessible. Referrals from booking agents, music lawyers or label contacts carry more weight than cold outreach, since managers receive far more approaches than they can respond to. The most reliable route for emerging artists is building a genuine track record first — a strong live following, consistent releases — so that approaches are made from a position of demonstrated activity.

About Natalie Brooks

Natalie came up through Norwich's tight-knit DIY scene, where bands book their own tours and press their own records, and that self-made spirit shaped how she thinks about music. She champions the acts working outside the mainstream. She writes about independent music and the culture around it.

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