Artist Management article
Artist Management: What You Need to Know
A manager is not a booking agent or a publicist — this explains what good management actually involves, how to find it, and what a fair deal looks like.
Artist management is the professional relationship between a musician or band and the person responsible for overseeing the business side of their career. A manager is not a booking agent, a record label A&R or a publicist — though good artist management co-ordinates all of those relationships. The manager's role is to handle the bigger picture: strategy, deal negotiations, income management, and the day-to-day decisions that would otherwise fall to the artist at the expense of the work itself.
In practice, what artist management looks like depends entirely on the stage of an artist's career. For a band playing small venues, management might mean someone handling their inbox and negotiating a merchandise deal. For an established touring act, it means a team of people managing a schedule worth hundreds of thousands of pounds, overseeing multiple income streams, and representing the artist in major contract negotiations.
What a Manager Actually Does
The core responsibilities of artist management include: negotiating live performance fees and tour deals, overseeing recording contracts and publishing agreements, co-ordinating press and promotional campaigns, managing the relationship with the booking agent and record label, handling financial oversight (including royalty collection and accounting), and advising on creative decisions that have commercial consequences.
A manager's value is largely invisible when things are going well. They are the person in the room making sure the artist's interests are represented, that contracts are fair, and that short-term opportunities do not compromise long-term goals. The manager earns a commission — typically 15 to 20 per cent of gross income — which aligns their financial interest with the artist's success.
Finding the Right Manager
Most managers at the grassroots level come from within an artist's existing network — a friend who has shown a talent for logistics, a promoter who has been helping with bookings, or someone who saw the band early and genuinely believed in them. At higher levels, managers are approached through agents, labels, or industry contacts. For emerging artists, the most important quality in a manager is genuine belief in the music — commission structure matters less than having someone who will make calls on your behalf because they care about the outcome.
Management Agreements
A formal management agreement sets out the commission rate, the term (typically one to three years), the territory covered, and what happens to deals initiated during the management term if the relationship ends (the "sunset clause"). Artists should have any management agreement reviewed by a specialist music industry solicitor before signing. The Music Managers Forum (MMF) publishes guidelines on fair management deal terms and maintains a list of vetted professionals. For an in-depth look at the structures involved, our complete guide to artist management covers the contractual landscape in detail.
Self-Management and DIY Approaches
Many independent artists manage themselves, at least in the early stages. Self-management is viable while an artist's touring commitments and income streams are limited enough to be managed personally. The risk is that artist management, done well, is a full-time job — and attempting to do it while also writing, recording and touring takes a toll. The point at which an artist needs professional help is usually when the administrative overhead begins noticeably affecting the creative work.
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