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Guitar Footstool article

Guitar Footstool Explained: Features, Types and Tips

A guitar footstool elevates the leg so the guitar rests in the classical position. Here is how it works, the types available, and when a guitar support is a better option.

A guitar footstool is a small adjustable stand placed beneath one foot to elevate the leg, tilting the guitar into the classical playing position. It is a simple accessory with a significant effect on technique, posture and comfort in classical guitar playing.

Why a Guitar Footstool Is Used

In the classical guitar playing position, the guitar rests on the left thigh with the instrument angled so the neck rises toward the player and the body is held close to the torso. Achieving this position naturally requires the left leg to be elevated. The footstool raises the left foot, lifting the thigh and allowing the guitar to rest in the correct angled position without strain.

Without this accessory, players either compromise their posture (holding the guitar in a flatter, less ergonomic position) or place the foot on other objects — both approaches that lead to technique problems and physical discomfort over time. The footstool is the traditional solution to this positioning problem and has been standard in classical guitar technique for over a century.

How a Guitar Footstool Works

It is a small platform on legs, usually with height adjustment via a notched or screwed mechanism. The player places the left foot on the platform and sets the height so that the thigh rises to the angle that allows the guitar to rest comfortably. The optimum height varies between players depending on leg length, chair height and guitar body size, which is why adjustable height is a standard feature.

Most designs sit between 2 inches (5cm) and 8 inches (20cm) in height. The widths are typically around 20–25cm, large enough to support the foot securely. Rubber feet on the underside prevent the footstool from sliding on hard floors.

Guitar Footstool vs Guitar Support

An alternative to this approach is the guitar support — a cushioned bracket that attaches to the guitar’s side or back and rests on the leg, holding the instrument in the classical position without requiring the foot to be elevated. Guitar supports such as the Ergoplay, Wolf and Gitano are popular among players who experience hip, knee or lower back discomfort associated with the footstool position.

The guitar footstool remains the most common choice because it requires no attachment to the instrument and is inexpensive. Guitar supports offer ergonomic advantages for many players but involve adapting technique slightly. The choice between them is a personal one and worth exploring if the footstool position causes discomfort.

Where to Go from Here

Our buyer’s guide covers what to look for when choosing a footstool. Our beginner guide explains how to set one up correctly. And our mistakes guide explains the errors worth avoiding.

Frequently Asked Questions

Do I need a footstool to play classical guitar?

The footstool is the traditional method for achieving the classical guitar playing position, and it is standard in conservatoire teaching. However, it is not the only option. Guitar supports that attach to the instrument body are widely used by professional players and are ergonomically preferable for many people. What you need is a method of holding the guitar in the correct angled position — the footstool is one reliable way to achieve that.

Can I use any footstool or does it need to be specifically for guitar?

It needs to be adjustable to the right height for you, stable, and of a width that supports the foot comfortably. A dedicated model is the most practical option because it is designed with the correct size, height range and rubber feet for this purpose. Generic footstools from furniture suppliers are often too wide, too heavy or not height-adjustable. At the prices these items cost, buying one designed for the purpose is the sensible approach.

What is an Ergoplay and how does it compare?

The Ergoplay is a guitar support — a cushioned bracket that attaches to the side of the guitar body and rests on the leg, holding the instrument in the classical position without elevating the foot. It eliminates the hip asymmetry of the footstool position and is particularly valued by players with back, hip or knee issues. It costs more than most footstools and requires light attachment to the guitar. Many professional classical guitarists use it as a primary support.

Is the footstool used for non-classical styles?

Occasionally. Some flamenco guitarists use footstools, though the flamenco position can differ from classical. Folk guitarists sometimes use a footstool if they sit with the guitar in a raised position. For other guitar styles — steel-string, jazz, pop — the guitar is typically played with no leg elevation, resting on the dominant-side thigh with the neck held up by the fretting hand and strap. The footstool is primarily associated with classical technique.

Is a footstool suitable for children learning classical guitar?

Yes. Children using smaller guitars in the classical position need the same leg elevation as adults, scaled to their height. A standard adjustable footstool set to its lowest height often works. There are also smaller footstools available specifically for young players. Chair height needs to be appropriate for the child's leg length, as the footstool height is relative to the chair.

Where does the footstool go on the floor?

Directly beneath the left foot, positioned so the left foot can rest flat on the platform. The centre of the footstool should be roughly under the left foot's centre of gravity. It should be close enough to the chair that the left leg is not extended forward uncomfortably, and the foot should rest on it naturally without stretching or retracting.

About Charlotte Bennett

Charlotte grew up in a house where the record player was never off, and turned a teenage habit of scribbling gig reviews into a career spent writing about the music she loves. Based in London, she still spends her weekends digging through the crates in the city's second-hand shops and catching new bands in small rooms before anyone else has heard of them. She writes about guitars, records and the stories behind the songs.

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