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Tanglewood Electric Guitar article

Common Tanglewood Electric Guitar Mistakes to Avoid

Most problems beginners have with a Tanglewood electric are avoidable. These are the ones that come up most often and how to sidestep them.

Players who pick up a Tanglewood electric guitar for the first time — particularly beginners or those stepping up from acoustics — often run into the same problems. Most of them are avoidable with a bit of advance knowledge.

Mistake 1: Not Getting the Guitar Set Up

The most common mistake with any budget electric, including the Crossroads and Evolution III series, is assuming it plays well straight out of the box. Some do; many don't. Action that's too high makes chording physically demanding and leaves new players thinking the instrument is harder to play than it should be. A professional setup (typically £30–£50 at a guitar shop) adjusts the action, nut and intonation, and the improvement in playability is immediate. Never evaluate an unset guitar as representative of what it can feel like.

Mistake 2: Buying the Wrong Body Style for Your Music

A Tanglewood electric guitar comes in several body configurations, and choosing the wrong one for your preferred music creates a tone mismatch that's difficult to fix without changing pickups. A Crossroads Tele-style with two single-coils is not the right instrument for heavy rock; an Evolution III HH in an LP-style body is not ideal for jazz. Spend time researching which pickups and body shapes suit the music you want to play before committing to a specific model.

Mistake 3: Pairing It with an Inadequate Amp

The amp contributes at least as much to your tone as the guitar itself. A good Tanglewood electric guitar through a poor amp produces a poor result; the same guitar through a decent amp sounds significantly better. Beginners often focus all their budget on the guitar and pair it with the cheapest amp available. If budget is tight, divide it more evenly — a £200 guitar and a £100 amp typically sounds better than a £280 guitar and a £20 amp.

Mistake 4: Neglecting the Tuning Machines

Entry-level Tanglewood models use basic tuning machines that may feel imprecise and slip slightly under string tension. Players sometimes blame their playing when the guitar goes sharp or flat — the real cause is tuning stability. Stretch new strings properly when fitting them (tune to pitch, pull gently upward on each string, retune, repeat three to four times), and consider upgrading the tuning machines on any Crossroads model you intend to gig with.

Mistake 5: Expecting the Tone to Sound Like a Record Without Pedals

Guitar sounds on recordings almost always involve signal processing — overdrive, reverb, compression, delay. A clean Tanglewood electric guitar played through a clean amp sounds very different from the overdriven, effected tones that drew you to electric guitar in the first place. This is not a shortcoming of the instrument; it's how the instrument works. A few pedals (even an affordable overdrive and a small reverb) transform the available sound. Start with one and add gradually.

Mistake 6: Storing It in Direct Sunlight or Near a Heat Source

Electric guitars are made largely of wood, and temperature extremes damage them. Leaving an instrument leaning against a radiator or in front of a window in direct sunlight causes the finish to check, the glue to soften and the neck to warp. Store the guitar in a case or stand, away from direct heat, and ideally at a consistent room temperature.

For a full picture of what's available in the range before buying, the guide to Tanglewood electric guitars covers all four series.

Frequently Asked Questions

Frequently Asked Questions

How do I know if my guitar needs a setup?

Clues include: strings feel unusually hard to press down, especially higher up the neck; open chords sound in tune but fretted notes go sharp; the guitar doesn't stay in tune between chord changes. Any of these points to a setup issue. A guitar shop can diagnose and fix them in an hour.

What overdrive pedal suits a Tanglewood electric?

For classic rock and blues tones, a tube screamer-style pedal (Ibanez TS9, Mooer Green Mile) works well with the single-coil pickups in the Crossroads range. For heavier tones through an HH model, a Boss DS-1 or RAT provides more gain. Start with one affordable pedal rather than buying several immediately.

My guitar won't stay in tune. What should I do?

Stretch the strings when fitting them — tune to pitch, pull the string upward gently from the middle, retune, repeat three or four times. If tuning still slips after stretching, the nut slots may be binding. A small amount of graphite (pencil lead) in the nut slots lubricates them. If the issue persists, have a guitar shop inspect the nut and tuning machines.

Can I use guitar effects pedals with any amp?

Yes. Pedals connect between the guitar and the amp with standard instrument cables. Most effects work fine with any amp. The exception is effects loops on certain amps — time-based effects like delay and reverb sometimes sound better in an effects loop than in front of the amp, but this is a refinement rather than a requirement.

Is it safe to leave a guitar on a wall hanger?

Generally yes, provided the hanger is rated for the guitar's weight and the wall fitting is secure. The one caution is that some rubber-coated hangers react with nitrocellulose finishes (not used on budget electric guitars, which use polyurethane). Wall hanging keeps the guitar accessible and off the floor, which reduces accidental knocks.

Why does my guitar buzz even after a setup?

Some fret buzz is normal when playing hard, particularly near open position. Buzz that's audible through the amp points to a specific fret being too low, or the nut being cut too deep at that string. A guitar tech can diagnose whether the issue is a high fret, a low fret, nut slot depth or neck relief — a different fix for each.

About Charlotte Bennett

Charlotte grew up in a house where the record player was never off, and turned a teenage habit of scribbling gig reviews into a career spent writing about the music she loves. Based in London, she still spends her weekends digging through the crates in the city's second-hand shops and catching new bands in small rooms before anyone else has heard of them. She writes about guitars, records and the stories behind the songs.

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