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Double Reeds article

The Complete Guide to Double Reeds

Discover how double reeds work and how to choose the right reeds for oboe and bassoon. Essential guide for double-reed musicians and students.

The Complete Guide to Double Reeds

Double reeds represent one of woodwind music’s most expressive and complex sound sources, yet remain enigmatic for musicians unfamiliar with their construction and behaviour. Whether you’re exploring oboe, English horn, bassoon or any of the rarer double-reed instruments, understanding how reeds work and how to care for them is fundamental to playing effectively. This guide demystifies double reeds and helps you develop the knowledge to choose, maintain and improve them.

What Are Double Reeds?

A double reed consists of two pieces of cane that vibrate against each other to produce sound. The player’s lips and embouchure control how much the reeds separate and vibrate, shaping the resulting tone. Unlike single reeds (which vibrate against a mouthpiece) or lip reeds (like brass), double reeds require the player to balance two vibrating surfaces simultaneously—a fundamental difference that shapes the playing technique and sonic character.

The cane used in double reeds comes from specific varieties of arundo donax, a large grass native to the Mediterranean. Skilled reed makers split cane precisely, shape it over a mandrel to create the distinctive profile and bind it onto a metal tube. The final reed is intensely personal—minute variations in cane density, planing, shaping and binding dramatically affect how the reed plays. A reed that sings beautifully for one player might feel awkward for another, making reed selection a deeply individual pursuit.

Double-Reed Instruments Overview

The primary double-reed instruments are:

  • Oboe: The soprano double reed, with a bright, slightly nasal character. Classical orchestras rely on oboes for both solo expression and harmonic foundation. Professional oboes are serious investments, with quality instruments costing £2,000–£4,000.
  • English Horn (Cor Anglais): Lower than the oboe with a more mellow, soulful voice. Essential for orchestral colour and chamber music, though less frequently played than oboe outside professional contexts.
  • Bassoon: The bass double reed, with a rich, woody character spanning tenor to bass registers. Bassoons require substantial investment (£5,000+) and significant physical coordination, but offer unmatched orchestral and solo versatility.
  • Heckelphone and Oboe d’Amore: Specialist variants used primarily in orchestral and chamber contexts, rarely encountered outside professional settings.

How Double Reeds Affect Sound and Playability

The reed is the sound source; the instrument itself amplifies and colours the reed’s vibration. A reed that’s too hard (densely planed) will resist vibration, making the instrument feel stiff and unresponsive. A reed that’s too soft will vibrate excessively, producing a spread, unfocused tone. Professional players develop sensitivity to these subtle variations and can adjust embouchure and air pressure to compensate, but beginning players feel significant differences directly.

The reed also profoundly affects intonation. A reed that favours certain overtones might pitch the second-line g sharp, for example. Experienced players adjust tuning through embouchure adjustments, but a properly functioning reed should centre intonation reasonably close to concert pitch. Reeds that require constant embouchure compensation are exhausting and limit expressive range.

Choosing Double Reeds

Professional double-reed players rarely buy mass-produced reeds. Instead, they commission custom reeds from specialist reed makers or create their own. A bespoke reed costs £20–£50 but is shaped precisely for the player’s embouchure, instrument and aesthetic preferences. Budget commercial reeds cost £8–12 and represent the only option for students and casual players.

When selecting reeds, softer reeds (less planing) suit beginning players and produce warmer tone; harder reeds suit advanced players capable of controlling their vibration and produce brighter, more projecting tone. As your playing develops, you’ll discover which reed strengths work best for your embouchure and musical goals.

Breaking In and Caring for Double Reeds

New reeds require careful breaking in. Play them gradually—short sessions (20–30 minutes) for the first week, then extending gradually. Excessive playing before the cane has stabilised risks warping or cracking. Store reeds in a protective reed case with a humidity-management element. Cane expands and contracts with humidity; overly dry environments cause reeds to crack and split.

After playing, soak the reed briefly (30 seconds to one minute) in cool water to soften cane and prevent microcracks. Remove excess water and allow it to air dry completely before storage. Never force a reed onto your instrument—if it binds, the reed is warped and should be discarded. Forcing binds creates permanent damage.

Troubleshooting Common Reed Issues

A reed that’s too soft vibrates excessively, producing a breathy, unfocused tone. This reed is likely near the end of its useful life. A reed that’s too hard resists vibration, making playing effortful and tone thin. A warped reed feels inconsistent—easy in some registers, resistant in others. A cracked or chipped reed produces strange tones and should be replaced immediately.

If a reed feels consistently too soft or hard across all your playing, the issue might be embouchure rather than the reed. Consult a teacher or experienced player before discarding seemingly problematic reeds—they might simply require adjustment to your technique.

The Role of Reed-Making in Double-Reed Culture

Elite double-reed players often craft their own reeds, a skill requiring years to master. Amateur musicians typically rely on commercial or custom reeds but increasingly explore basic reed adjustment—tying, profiling and planing adjustments that extend reed life and tune them toward ideal playing characteristics. Learning to adjust reeds meaningfully improves your ability to control your sound and reduces frustration with reeds that don’t quite match your aesthetic.

Conclusion

Double reeds are the voice of oboe, bassoon and related instruments—delicate instruments of remarkable expressive potential. Understanding how reeds work and how to care for them is essential to developing facility on double-reed instruments. Invest in quality reeds appropriate to your playing level, treat them with respect, and gradually develop sensitivity to how subtle reed variations affect your sound. With this foundation, you’ll progress confidently toward the expressive possibilities these instruments offer.

Frequently Asked Questions

What's the difference between single and double reeds?

A single reed (saxophone) vibrates against a mouthpiece. A double reed has two cane pieces vibrating against each other. Double reeds require different embouchure and technique than single reeds.

How should I choose between soft and hard double reeds?

Beginning players suit softer reeds that vibrate easily. Advanced players prefer harder reeds offering more control and projection. Choose based on your playing level and the resistance you prefer.

How do I break in a new double reed?

Play new reeds gradually—short sessions the first week, extending gradually. Soak in cool water briefly after playing and store in a humidity-controlled case. Never force a reed onto your instrument.

Why do my reeds crack?

Cracks usually result from overly dry storage or playing new reeds too much before they're stabilised. Store reeds in humidity-controlled cases and extend playing time gradually when breaking in new reeds.

Can I adjust a double reed myself?

Yes, with practice. Basic adjustments like soaking and careful planing can tune reeds toward ideal response. Advanced profiling requires specialist knowledge—consult experienced players before attempting.

What should a double reed cost?

Budget commercial reeds cost £8-12; custom bespoke reeds cost £20-50 and are worth the investment for serious players. Professional bassoonists often spend £40-60 on handmade reeds.

About James Harrison

James learned guitar in a cold Leeds practice room and taught himself to fix his own gear when he couldn't afford to replace it. That DIY instinct became a lifelong obsession with how instruments are built and why some just feel right. He writes buying guides and gear features for players who want the honest version, not the sales pitch.

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