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Blue Guitar roundup

The Best Blue Guitars for the Money

The best blue guitar for the money is always the right instrument first, the right colour second. Here's how to find both across every budget.

The Best Blue Guitars for the Money

The best blue guitar for the money isn't necessarily the bluest or the most famous finish name — it's the instrument that delivers the right construction, pickups, and playability for what you need. Blue is a feature; the spec is what earns its keep. Here's how to think about value across different budgets and styles, with the colour set aside where it belongs: as the final satisfying detail on an instrument that's already worth having.

How to Frame the Budget Conversation

Before looking at any specific blue guitar, it helps to calibrate where the money goes at different price points:

  • Under £200: At this level you're buying a functional, learnable instrument. Expect factory setups that may benefit from a tech's attention, budget hardware, and laminate bodies on acoustics. A blue guitar is available here, but build consistency varies.
  • £200–£500: The most competitive market segment. Brands like Squier, Epiphone, Yamaha, and Harley Benton produce genuinely capable instruments at these prices, with consistent fretwork and hardware quality that would have cost significantly more a decade ago.
  • £500–£1,000: Mid-market instruments with increasingly premium hardware, better pickup choices, and tighter quality control. Mexican-made Fenders, Gibson's entry-tier lines, and mid-range PRS sit here.
  • £1,000 and above: USA-made Fenders, Gibson USA, PRS Core, and boutique options. Genuine materials and construction improvements are present at this level; whether they justify the cost depends on your playing level and priorities.

Best Value Blue Guitars by Style

Stratocaster-Style

The Stratocaster format is available in blue at virtually every price point. Squier's Classic Vibe and Contemporary ranges regularly appear in Lake Placid Blue, Daphne Blue, and related finishes, and they offer consistently strong playability for the price. At the mid-market level, the Mexican-made Fender Player Stratocaster has been available in Lake Placid Blue and Tidepool with a solid build and the option of single-coil or HSS configurations. The three-pickup layout and floating tremolo give you considerable versatility.

Value consideration: if you want a tremolo system, the Stratocaster format is the natural starting point. A proper setup — truss rod, intonation, string height, and tremolo balance — is worth factoring into the budget.

Les Paul and SG-Style

Gibson's own Pelham Blue finish has been offered on various SG and Les Paul models. For a more accessible price, Epiphone's Les Paul and SG ranges have included Pelham Blue and metallic blue variants. The shorter 24.75 inch scale and humbucker configuration give a fundamentally different character from a Stratocaster — thicker, warmer, and less bright. For rock, blues, and heavier material, this is often the more useful tool.

Value consideration: Epiphone's mid-range models have improved significantly in quality. A £350–£500 Epiphone is a genuinely useful working instrument rather than a compromise.

Semi-Hollow

Semi-hollow guitars in blue are less common at budget price points but available. Harley Benton, Gretsch, and Epiphone's ES-style range have all offered blue or blue burst finishes. The hollow chambers produce a warmer, more resonant quality than a solid-body, with some susceptibility to feedback at higher gains. For jazz, indie, and classic-rock playing, the tone difference is real and worth the slightly higher starting price.

Value consideration: semi-hollow designs sometimes have feedback issues with high-gain setups. If that's your main sound, a solid-body gives better practical results.

Blue Acoustic

Blue acoustics are a smaller market. Taylor's Academy and Big Baby series have appeared in blue burst finishes, and Yamaha's FG and FS ranges have occasionally included blue or blue burst options. At budget level, Sigma, Harley Benton, and Yamaha offer solidly built entry instruments in blue. The finish quality at lower prices varies — an opaque blue top can look good or look plasticky depending on how it's applied.

Value consideration: a solid top (rather than laminate) makes a clearer acoustic difference than a premium finish. Prioritise construction over colour when the budget is tight.

Finish Names and What to Expect

If you're targeting a specific named finish:

  • Daphne Blue and Sonic Blue: most affordable and widely available on Squier and Fender Player models. Vintage-style character without vintage prices.
  • Lake Placid Blue (metallic): available on Fender Player and American series; appears on several Squier models. A stronger visual statement than the pastels.
  • Pelham Blue: historically a Gibson/Epiphone finish. Mid-range Epiphone SG and Les Paul models represent accessible entry points.
  • Blue burst, cobalt, navy, teal: available across multiple manufacturers under various names. Check retail photos in natural light before ordering.

Used Market Value

A blue guitar holds its value reasonably well on the used market, particularly the named Fender and Gibson colours. A used Mexican Stratocaster in Lake Placid Blue often commands a small premium over an equivalent model in black or sunburst — purely for the colour. Whether that premium makes sense for you depends on how much the specific finish matters relative to the condition and specs of the instrument.

For a structured buying approach with detailed spec checks, the blue guitar buyer's guide walks through every variable. And for an overview of what the different finish names actually mean and where they come from, the blue guitar explained article has the background.

The Bottom Line

Best-value blue guitars exist at every price point. The formula is consistent: choose the right body style and pickup configuration for what you play, then find the shade of blue that appeals within that spec — rather than finding a colour you love and hoping the instrument underneath matches your needs. At every budget, there's a genuinely capable instrument in blue available. The work is narrowing down which one fits your playing, not finding blue at all.

Frequently Asked Questions

What is a good budget blue guitar?

Squier's Classic Vibe and Contemporary ranges regularly appear in Daphne Blue and Lake Placid Blue with strong playability for the price. Epiphone's Les Paul and SG ranges have included Pelham Blue at accessible prices.

Do blue guitars cost more than other colours?

Named vintage colours — Lake Placid Blue, Daphne Blue, Pelham Blue — sometimes carry a small premium over standard sunburst or black finishes. Metallic and sparkle finishes can cost slightly more to produce consistently. The difference is usually modest relative to the overall instrument price.

Is a blue Stratocaster a good first guitar?

Yes — a Squier Stratocaster in a blue finish is a solid first electric. The three-pickup layout gives you useful tonal range, and the platform is easy to find parts and setups for. Factor in a basic setup from a tech for the best result.

What blue finish looks best on stage?

Metallic finishes — Lake Placid Blue, Pelham Blue, blue sparkle — tend to respond most dramatically to stage lighting and appear more vivid under spots than in daylight. Pastel blues (Daphne, Sonic) have a softer, more understated presence that reads well up close.

What is the best blue acoustic guitar?

Look for a solid-top model rather than prioritising finish alone. Taylor's Academy and Big Baby series have appeared in blue burst finishes; Yamaha's FG and FS ranges have offered blue acoustic options. A solid spruce or cedar top makes a clearer acoustic difference than the colour.

Are there good used blue guitars to buy?

Yes — used blue guitars, particularly named Fender colours like Lake Placid Blue and Gibson/Epiphone Pelham Blue, hold value well and sometimes attract a small premium. Inspect in natural light for finish chips and fading, especially on vintage-style nitro finishes.

About James Harrison

James learned guitar in a cold Leeds practice room and taught himself to fix his own gear when he couldn't afford to replace it. That DIY instinct became a lifelong obsession with how instruments are built and why some just feel right. He writes buying guides and gear features for players who want the honest version, not the sales pitch.

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