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Accordion guide

How to Set Up and Use Accordion

Correct strap fitting, even bellows movement and clean key placement are the three foundations of good technique — this guide walks through each from the beginning.

How to Set Up and Use Accordion

Fitting and Wearing the Accordion

Before playing, fit the accordion correctly using both shoulder straps. The instrument should sit high against the torso — roughly level with the sternum — so the bellows can open and close without your elbow hitting your hip. The left-hand strap, fitted over the back of the hand, should be snug enough that the hand stays in contact with the bass buttons without actively gripping. Most accordion players also use a bass strap to secure the left arm against the bellows for added stability during longer sessions.

Bellows Control

The bellows produce sound by moving air across the reeds. Begin by practising slow, even pulls and pushes on open notes — just one key held down while the bellows open fully, then reverse. The tone of the instrument responds to bellows speed: faster movement produces more volume, slower movement produces less. Common beginners' errors include jerky direction changes and allowing the bellows to run fully open or shut. Keep changes smooth and reverse direction before reaching the limit of travel.

Right-Hand Technique on the Accordion

On a piano-keyboard model, the fingers rest on the keys in the same curved position as on a piano — no flat fingers, no tension in the wrist. Notes are triggered by a key press, not by bellows pressure alone, so practise placing fingers cleanly on individual keys before attempting to move the bellows. Start with simple five-note scale patterns in C major, practising each hand separately before combining. On a button model, the finger position is similar but the surface is smaller and the reach between rows requires some initial adjustment.

Left-Hand Bass and Chord Buttons

With the accordion strapped on and the right hand in position, locate the bass buttons with the left thumb acting as an anchor. Most players rest the thumb lightly against the strap or the edge of the grille. The standard pattern for beginners is alternating a root bass note with its corresponding major chord: press the bass note on beat one, the major chord on beats two and three, then the bass note again on beat four. This waltz-bass pattern is the foundation of most folk accordion accompaniment.

Practice Routine

Begin each session with five minutes of slow bellows exercise — just open and close the instrument on a single held note, focusing on evenness and smooth reversals. Follow this with scales on the right hand, then simple songs using only two or three chords on the left hand. An accordion method book — Hohner and Mel Bay both publish widely used beginner series — provides a structured sequence of exercises and repertoire. Aim for short, daily practice over long, infrequent sessions.

Frequently Asked Questions

How should I adjust the straps for correct accordion posture?

Both shoulder straps should hold the instrument close to the body — not hanging away from the torso, which forces the arms into a tiring extended position. The bass side should sit against the left arm comfortably, and the left-hand strap should be tight enough to maintain contact with the buttons without actively gripping. Start by sitting down, which removes the need to balance the instrument, and adjust the straps before standing.

How long does it take to coordinate both hands?

Most beginners need several weeks before the two hands feel reasonably independent. The right hand requires the more complex movements, so it is worth spending the first weeks practising melody lines alone before adding the left-hand bass pattern. Once the right hand can play simple tunes without thinking, introducing the alternating bass and chord pattern on the left tends to come together within a few more practice sessions.

Should I learn to read music to play this instrument?

It is useful but not essential at the beginning. Many folk styles are taught entirely by ear, using a teacher or recordings to learn tunes without notation. Classical and formal instruction typically involves reading music. If your aim is to play folk music by ear, you can progress successfully without notation. If you want to use printed music or study formally, basic note reading is worth developing alongside the physical technique.

About Thomas Walker

Thomas grew up on the folk and roots music of the North East, where the tradition of Northumbrian tunes runs deep, and has been playing and writing about acoustic music for most of his life. He's drawn to instruments with history and craft. He covers folk, acoustic and traditional music.

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